Relined. the paint surface has been very well retained with good preservation of the impasto. examination under ultraviolet reveals only a few very small retouches on face and hands; a few other very minor ones in background and hair. offered in an elaborately carved and gilt wood frame
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This swirling bust length depiction of this Penitent Magdalene calls to mind certain Venetian artists working in the first half of the eighteenth century, particularly the young Giambattista Tiepolo, who's early works executed in Udine do bear similarities with the present picture. Specifically, the slightly exaggerated oval face of the Magdalene does recall early bust length depictions of the Madonna (see M. Gemin and F. Pedrocco, Giambattista Tiepolo: I dipinti, Venice 1993, cat. nos. 36-9). The subject's reddish hair, intense upwards gaze, and pile of manuscripts clearly identify her as Mary Magdalene.