The canvas has an old glue relining and both support and paint surface are in good condition. There are minor abrasions from the frame on all edges. Inspection under UV reveals minor scattered retouches, concentrated in the flesh tones, some of which are visible to the naked eye. There is a repaired puncture of approximately 1 by 1 in. below and to the right of the basket and minor retouches to a possible scratch lower center. The painting would benefit from a light clean and varnish. Offered in a carved gilt wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

These two putti figures are a motif copied from the painting depicting Spring from the cycle of Four Seasons painted by Francesco Albani in circa 1640-45.  A variant cycle of four small paintings of putti representing the seasons was formerly in the Aldrovandi collection (see C. Puglisi, Francesco Albani, New Haven and London1999, p.  195, cat. nos. 114.ii.V.a and 114.LV.a.).