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A Limoges Grisaille Painted Enamel Charger, Attributed to Pierre Reymond (1513-1584), Dated 1560 and 1561
Description
- Dated 1561
- Enamel on copper
- width 20 3/16 in.; 51.3 cm.
Provenance
Sotheby's New York, November 27, 1981, lot 53
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The battle scene is nearly identical to the engraving of the Battle Under the Walls of Troy by Jean Mignon, a print of which was purchased by the British Museum from Sotheby's on May 13th, 1850. The composition of the present piece also bears a strong resemblance to an enamel plaque in the collection of the Walters Art Museum, Baltimore (op. cit., no. 72) by the Master KIP, in turn copied from an engraving by Marco Dente or Agostino Veneziano representing the Triumph of Scipio. A tazza by Jean de Court painted with a very similar scene of the Battle of the Israelites Against the Amalekites is also in the Walters Art Museum collection (op. cit., no. 174).
RELATED LITERATURE
P. Verdier, The Walters Art Museum. Catalogue of the Painted Enamels of the Renaissance, Baltimore, 1967