Lot 140
- 140
Aaron Siskind
Estimate
20,000 - 30,000 USD
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Description
- Aaron Siskind
- '75th Anniversary Portfolio'
- portfolio of 12 gelatin silver prints
(New York: Light Gallery, 1979, a total edition of 57), a portfolio of 12 photographs, each signed, titled, and dated in ink in the margin, in individual printed wrappers; together with the printed title, introduction by Peter Bunnell, plate list, and colophon, with edition '22/50' in ink, 1936-76, printed in 1979. Folio, red linen portfolio with flaps and ties
Condition
These prints, each on double-weight paper with a surface sheen, are in generally excellent condition. Some of the margin edges and corners are bumped with some occasional tiny chipping.
The plates are as follows:
Feet 102, 1957 - The title, date, and annotation are written in pencil on the reverse.
Louise 30, 1974 - There is a small red deposit on the lower margin edge.
Savoy Dancers, Harlem Document, circa 1936
Gloucester 1h, 1944 - In high raking light, a one-inch linear impression that does not break the emulsion is visible in the upper portion of the image.
Jalapa 24 (Homage to Franz Kline), 1973 - In high raking light, a small sharp crease that appears to break the emulsion is visible in the right portion of the image. In the lower margin are two translucent deposits and a small, soft crease.
Chicago Facade 7, 1960 - There is a small, soft impression near the upper edge of the image. On the reverse are yellow and gray deposits of indeterminate nature.
Jerome, Arizona 21, 1949 - In high raking light, a light scratch in the center portion of the image is visible.
Martha's Vineyard 108, 1954 - In raking light, a tiny raised area in the center portion of the image is visible.
New York 78, 1976 - In the left potion of the image are a small, soft crease and a deposit of retouching.
St. Louis 9, 1955
Rome: Arch of Constantine 10, 1963 - There is a small matte deposit in the lower left portion of the image and a tiny hairline scratch in the upper right portion of the image.
Chicago 30, 1950
The front matter and a few of the wrappers are lightly soiled. The portfolio case has some light soiling.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Additional images in this portfolio may be found in our online catalogue.
The plates are as follows:
Feet 102, 1957
Louise 30, 1974
Savoy Dancers, Harlem Document, circa 1936
Gloucester 1h, 1944
Jalapa 24 (Homage to Franz Kline), 1973
Chicago Facade 7, 1960
Jerome, Arizona 21, 1949
Martha's Vineyard 108, 1954
New York 78, 1976
St. Louis 9, 1955
Rome: Arch of Constantine 10, 1963
Chicago 30, 1950