Etching, 1973, from Adriatics, signed and dated in pencil, a proof aside from the numbered edition of 40; together with AFTER FRANK STELLA, angriff (A. IC), screenprint, 1971, from Conspiracy: The Artist as Witness, signed and dated in pencil, numbered 26/75; and AD REINHARDT, untitled, screenprint in colours, 1966, from Ten Screenprints by Ad Reinhardt, on wove paper, framed (3 prints)

Marden (largest sheet: 868 by 610mm 24 1/8 by 24in): With full margins, in good condition apart from the sheet very slightly toned, the occasional minuscule fox mark in margin, occasional soft handling creases in margin, verso with previous hinging along sheet edges and a few with associated minor skinning, lower margin verso with minor areas of pale yellow paper discoloration. Stella (sheet: 407 by 557mm 16 by 27 7/8 in): With wide margins, in good condition apart from the paper very slight toned. Reinhard (sheet: 558 by 431mm 22 by 17in): With full margins, the occasional scuff mark in image only visible in a raking, light, the sheet very slightly toned
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.