the lid formed as book, after a design by Natalia Danko, stamped dark green factory mark

Hillwood Museum, no. 30; Pushkin Museum, no. 76

Oda k Radosti/Ode to Joy, p. 117, cat. no. 75; for comparison, see Nosovich and Popova, pp. 528-529.

Excellent condition. The inkwell with a small chip. The glazing of the stand worn where it meets the inkwell lid. Minor small firing flaws, including ones to the figure's nose and neck and to the lid of the inkwell. Light wear to the base.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

In 1937, the centennial year of Alexander Pushkin's death, the Soviet government organized a series of events commemorating the poet and his work.  The celebrations were extensive, with poetry readings and exhibitions held across the country, several biographical films produced, and special editions of journals and newspapers published, all with extensive commentary on his influence on the politics and culture of the Soviet Union. 

Danko's contribution consisted of this model of the poet at work, surrounded by his library, which includes finely rendered covers of the St Petersburg journal Poliarnaia zvezda (Polar Star) and volumes of Faddey Bulgarin and Lord Byron.