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Lot 249
  • 249

A rare monumental one-page Dala'il al-Khayrat, signed by Al-Hafiz Mahbub Muhammad, India, Loharu, dated 1296 AH/1879 AD

Estimate
7,000 - 10,000 GBP
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Description

  • ink and watercolour on paper
Arabic manuscript on paper, 180 lines to the page, written in naskh script in black ink, within 12 columns, 6 lines at the top and 2 at the bottom written in larger thuluth script, depiction of Mecca and Medina in the upper section, flanked by hanging mosque lamps, decorated throughout with polychrome scrolling flowers against a teal ground, framed

Condition

In good overall condition, a few light creases, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The Nawab 'Ala al-Din Khan (r.1869-84), who commissioned this one-sheet Dala'il al-Khayrat, was the fourth ruler of the territory of Loharu and the first ruler of the state to be granted the title of Nawab. Muhammad Ibn Sulayman al-Jazuli's Dal'il al-khayrat, whose full title is inscribed in the cartouche above the image of the mosque of the Prophet in Medina on this example, represents an act of piety and an expression of love for the Prophet. It was often written on works of transportable dimensions to be carried for apothropaic reasons. Its large-scale format in this instance indicates that it was most probably hung on the wall of a palace, for the benefit of its protective qualities and aesthetic beauty.