Overall the condition of the marble is good, with some dirt and wear to the surface consistent with age. There are a few chips, notably to two of the putti's toes on one foot respectively, and one of the putti's proper right index finger. There are also minor chips and abrasions to the outer edge of the oval relief. There are a few dirt marks, notably to the edge and to the limbs of the putto in embryo position. There are several small naturally occurring inclusions to the marble.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This captivating marble derives from a composition in the Galleria Borghese, which is considered to be an anonymous work from the 16th or 17th century, possibly after the antique. Another version of the same subject is in the Palazzo Pitti in Florence.

RELATED LITERATURE
I. Faldi, Galleria Borghese. Le sculture dal secolo XVI al XIX, Rome, 1954, p. 13, no. 6