Both half-length, and in original 18th century painted and carved wood frames

Both canvases have firm and recent relingings, with resulting flattened paint surfaces. The paint surface in both works is secure and stable, although there is some thinning apparent in the portrait of Maria Anna Sophia, evident in the body and background. The paint surfaces have some surface dirt which should clean. The colours of the figures are rich and vibrant. Inspection under ultraviolet light reveals an even varnish in both pictures. Small, scattered retouchings are visible under ultraviolet light in the body and face of Maria Anna Sophie. There is some minor localised retouching in the face and sleeve of Maximilian., although he is largely free of retouching elsewhere. Both works are offered in late Baroque style frames, which are possibly original. These frames are gilt molded and painted red and blue. Both have some minor knocks and losses.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."