Lot 415
- 415
Richard Prince
Estimate
120,000 - 180,000 USD
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Description
- Richard Prince
- Untitled (Question: Two Men are in Love with Me)
- signed and dated 1987 on the reverse
- graphite on gessoed canvas
- 24 by 18 in. 61 by 45.7 cm.
Provenance
Barbara Gladstone Gallery, New York
Acquired from the above by the present owner in January 2002
Acquired from the above by the present owner in January 2002
Condition
This work is in very good condition overall. There is evidence of light wear and handling along the edges. There are some scattered spot accretions throughout the work which are inherent to the artist's method. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"I'd been working 10 years and I still wasn't known. So I wrote a joke in pencil on a piece of paper, and I'd invite people over and ask them, 'Will you give me $10 for this?' I knew I was onto something—if someone else had done it I would have been jealous. You couldn't speculate about it. So much of art depends on the critic as the umpire. With a joke there's nothing to interpret." Richard Prince