Sorry We're Closed, Brussels
Acquired from the above by the present owner

London, Saatchi Gallery, Body Language, November 2013 - March 2014, p. 63, illustrated in color

This work is in very good condition overall. There is evidence of wear and handling to the sides and edges of the canvas, which is inherent to the artist's working method. There are a few areas of surface craquelure. One area is approximately 26 inches from the top edge of the canvas and 46 inches from the right edge. The other area of surface craquelure is in the large green shape along the left edge. Under ultraviolet light inspection there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

"For me, particularly the large paintings... those kind of solidify what I've been trying to do for a long time, which is to make a large painting feel like a drawing, like sitting on the couch with a Sharpie, just making a little line drawing. Because at that scale, it's like the arm movements translate pretty seamlessly into a hand movement. I'm kind of dancing around this thing, doing it as quick as possible, and just letting the marks fall where they fall."
Eddie Martinez