Marlborough Gallery, New York
Marlborough-Godard Gallery, Toronto
Acquired by the present owner from the above

This work is in very good condition overall. The canvas is unlined. There is evidence of light wear and handling to the edges and corners. Under Ultraviolet light inspection, there are two spots at the bottom right corner of the canvas, one approximately 1 inch in diameter and one ½ inch vertical line which fluoresce darkly and appear to be the result of retouching. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

“There is stillness about Katz’s work that is difficult to articulate. Looking at one of his portraits is like looking at actors standing still onstage for a few seconds as the curtain rises. If a play begins this way, it is because the frozen moment allows the audience to direct its attention and to get its bearings before the action starts. With Katz’s paintings, the narrative action stays frozen.”

(Anne Beattie, Alex Katz, New York, 1987, p. 13)