possibly Minton, by Marc Louis Solon, decorated in white relief with a seated classical maiden and inscribed: CRAINS LES CURIEUX NE JETTE RIEN GARDER EST BIEN BRULER EST MIEUX, on an olive green ground, signed L. Solon, reserved on a dark green ground, in a 17th century style frame,

In generally good condition. There are some small chips to the edges of the reverse side.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

At the 1878 Paris Exhibition Minton exhibited a paperweight with this form of decoration with matching inscription. Solon warns maidens against inquisitive gusts of wind, and advises to look after their love-letters, or better still, burn them. The exhibition piece was illustrated in The Art Journal, 1878, p. 199.