Original canvas. One or two very minor signs of craquelure in her dress; not visually distracting. The surface may benefit from a light clean; otherwise the work appears in good overall condition. Held under glass in a gilt plaster frame; unexamined out of glass.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

It was only natural that Oswald Birley should find himself commissioned to paint the present, regal portrait of the Mary Innes-Ker, Duchess of Roxburghe. During his lifetime Birley established a prominent reputation for his paintings of British Royalty and high society. His first royal commission was of George VI in 1928, and there followed portraits of Queen Mary (the Duchess's godmother), Queen Elizabeth the Queen Mother and the present monarch HRH Queen Elizabeth II.