- 87
After Marcus Gheeraerts
Estimate
2,000 - 3,000 GBP
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Description
- After Marcus Gheeraerts
- Portrait of William Cecil, 1st Baron Burghley (1520- 1598), half-length, wearing the robes and collar of a Knight of the Garter
- later inscribed upper left: Wm Cecil / Lord Burghleigh
- oil on panel
- 30in by 24in
Half length, wearing Garter robes
Provenance
Hans Busk (1718-1792) Long Houghton Hall, Yorkshire;
By descent to his son-in-law Richard Slater Milnes (1784-1802), Fryston Hall, Ferrybridge, Yorkshire;
By descent to Robert Crewe-Milnes, 1st Marquess of Crewe (1858-1945), Fryston Hall, Ferrybridge, Yorkshire;
Thence by descent.
By descent to his son-in-law Richard Slater Milnes (1784-1802), Fryston Hall, Ferrybridge, Yorkshire;
By descent to Robert Crewe-Milnes, 1st Marquess of Crewe (1858-1945), Fryston Hall, Ferrybridge, Yorkshire;
Thence by descent.
Literature
Possibly Robert Crewe-Milnes, 1st Marquess of Crewe, Pictures at Fryston Hall, manuscript, after 1886, p. 5, as hanging in the hall and staircase;
Manuscript Catalogue of Pictures at West Horsley, n.d., vol. 2, p. 131.
Manuscript Catalogue of Pictures at West Horsley, n.d., vol. 2, p. 131.
Condition
The panel is flat and stable, with an invisible vertical joint running to the left of the centre. The picture is very dirty. Inspection under ultra violet light reveals retouchings throughout and an opaque varnish.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Derived from the original attributed to Marcus Gheeraerts of c.1585, known from versions in the National Portrait Gallery (inv. no. 362), at Hatfield House and at Burghley. See R. Strong, Tudor and Jacobean Portraits, London 1969, Vol I, p. 27 for discussion of the different types. More contemporary portraits of Burghley exist than any other Elizabethan other than the Queen herself. This is a sure indication of his extraordinary importance of his role as Lord High Treasurer within her court, as well as his own appreciation of the power of portraiture as a vehicle for personal propaganda.