168开奖官方开奖网站查询

Lot 805
  • 805

MAHARANA JAGAT SINGH II HUNTING BOAR ATTRIBUTED TO NAGA, SON OF PHARASA

Estimate
10,000 - 15,000 USD
Log in to view results
bidding is closed

Description

  • MAHARANA JAGAT SINGH II HUNTING BOARATTRIBUTED TO NAGA, SON OF PHARASA
  • Opaque watercolor heightened with gold on paper
  • image: 8 1/4 by 14 1/8 in. (21 by 35.9 cm)
  • folio: 10 3/4 by 16 3/4 in. (27.3 by 42.5 cm)

Literature

Andrew Topsfield, Court Paintings at Udaipur, Artibus Asiae Sup 44, Zurich, 2008, fig. 170, p.192

Condition

Very good overall condition. Slight abrasions and losses to pigment on the pink jacket of the attendant at far left, on the white sash of the attendant in front of him, on the gold nimbus of the ruler, the gold fringes of his sash and the gold handle of his sword. Slight loss to red pigments around the neckline of his blouse and above his shoulder. All of these are visible in the catalog illustration. Slight further abrasions with infilling to blue pigment of the river, along the extreme left vertical edge of the painting and few minor abrasions to green ground at lower center. The color tones are slightly deeper in reality.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Riding at full gallop on his chestnut-brown stallion, a nimbated Maharana Jagat Singh II (1709-1751) of Udaipur, leans down with his saber slashing a boar on the run.  Three retainers running alongside, two carrying chowries and the other a gold and black standard - all symbols of the Rana's royal authority.  Against a brilliant verdigris hillside with moss-green foreground and background - creating an abstracted interplay of green shades and highlighted by vermillion-orange and gold costume details.  White temples with townscapes populated with cowherds carrying milk jugs, accompanied by herds of cows in the hilly landscape beyond. 

Refer to Andrew Topsfield, Paintings from Rajasthan,🍬 Melbourne, 1980, for paintings from the Royal Udaipur workshops during the reign of Maharana Jagat Singh II aﷺnd his successors.

For a discussion of Maharana Jagat Singh II and his workshops see Andrew Topsfield, Court Paintings at Udaipur, Artibus Asiae Sup 44, 2008, Chapter 7.