Of geometric design, set with baguette and single-cut diamonds weighing approximately 3.70 carats; circa 1930.

In good condition with some light wear to the mounting and very minor tarnish to the pinstem on the reverse, not evident when worn. The diamonds are approximately G-I color, predominantly VS clarity. Length of pin approximately 1 5/8 inches.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

According to the consignor, the present lot was owned by George Fitzmaurice, renowned Hollywood director. Born in Paris, Fitzmaurice came to the United States in the mid 1900s and quickly became a director after working in theater as a set designer. Fitzmaurice worked within a number of genres; one of his best known romantic dramas was The Son of the Sheik, Rudolph Valentino's last film. In the 1930s Fitzmaurice directed the Colman comedies (including Ruffles and The Devil to Pay) as well as dramas starring Greta Garbo, including Mata Hari, As You Desire Me and The Last of Mrs. Cheyney.