Lot 335
- 335
Silver and 18 Karat Gold Necklace, André Rivaud
Estimate
7,500 - 10,000 USD
Log in to view results
bidding is closed
Description
- silver, gold
Of graduated design, composed of hand wrought open round links with gold accents, gross weight approximately 146 dwts, length 18½ inches, signed A. Rivaud, with French assay and maker's marks; circa 1935.
Condition
In good condition. The silver exhibits a moderate level of tarnish and the gold is slightly worn. The tarnish and the warmth of the gold combine to create a nice patina, which adds visual interest to a simple design. The necklace bears a nice heft. The signature is on the clasp.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
André Rivaud learned much of his craft at an early age from his father, jeweler and silversmith Charles Rivaud. In addition to exhibiting his works in the Salon des Artistes Décorateurs in the 1920s, he showcased his pieces alongside fellow jewelers and silversmiths such as Paul Bablet, Cecile Baillot-Jourdain and Fernand Grange at the Salon in 1937. Similar to fellow jeweler Jean Després, Rivaud was influenced by both the tribal arts exhibited at the 1931 Colonial Exhibition in Paris and the geometric themes that were prevalent in the Deco era.