Painted in 1994 for Rodney Gooch, Alice Springs
Marlu Productions (Rodney Gooch), Alice Springs, Northern Territory, catalogue number 29-694
Private collection, France, acquired directly from Rodney Gooch

Kunga, les Femmes de Loi du Desert, Galerie Carry On, Geneva, 8 May - 29 June 2012

Kunga, les Femmes de Loi du Desert, Galerie Carry On, Geneva, 2012

Unframed. Stretched on a basic stretcher. There are small areas of rubbing or scuffing around the edges where the canvas meets the stretcher and there are a number of scratches and scuffs to the surface of the painting, possibly caused at the time of production. No repairs or restorations.
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Cf. See the chapter ‘Body Lines’ in Margo Neale (ed), Utopia : Genius of Emily Kame Kngwarreye, National Museum of Australia, Canberra, 2008, pp.135-162, for discussion and images of related paintings from this series.

“The genesis of Emily’s mark-making lies in painting linear markings on women’s bodies for ceremony. In 1994 the profuse dotting and linear patterns of earlier years gave way to a bold austere style of minimal black stripes on white. These singular lines soon evolved into rapidly applied, multi-coloured stripes that evoke the raw and ear♕thy character of body painting. They merge, separate, and cross over each other in various entanglements on large canvases.

While stripes recall the lines that appear on🌸 the body as ceremonial markings, these same horizontal and vertica𝄹l elements resonate with the broader international concept of modernism. …In these works Emily gave new expression to the powerful human tradition of mark-making and transcended the apparent boundaries between contemporary and traditional art practice, the local and universal.” (ibid. p.135)

This painting is sold with an accompanying Marlu Productions certificate of💃 authenticity, signed by Marc Gooch.