- 83
Anthony Angarola
Estimate
4,000 - 6,000 USD
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Description
- Anthony Angarola
- 'The Main Travel Road'
- signed ANTHONY ANGAROLA (lower right); signed ANTHONY ANGAROLA, titled 'THE MAIN TRAVEL ROAD' and dated CAGNES, FRANCE, FEB. 7 - 1929 (on the reverse)
- oil on canvas
- 25 3/4 by 31 3/4 inches
- (65.5 by 80.7 cm)
Provenance
Yvonne and Richard Angarola (acquired from the estate of their father), 1929
Acquired from the above as a gift, 1930
Acquired from the above as a gift, 1930
Exhibited
Art Institute of Chicago, Exhibition of Paintings by Anthony Angarola, Memorial Exhibition, 1930
Chicago, Studio Gallery, An Exhibition of Paintings by Anthony Angarola, 1931, no. 1
Memphis, Brooks Memorial Art Gallery; Evansville, Indiana, Society of Fine Arts and History; Edinboro, Pennsylvania, State Teacher’s College; Andover, Addison Gallery of American Art; Scranton, Pennsylvania, Everhart Museum; Philadelphia, Museum of Art, 69th Street Branch; Baltimore Museum of Art; Pittsburgh, Carnegie Institute, American Federation of Arts, Contemporary Oil Paintings—Chicago Painters, 1931–1933
Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, 1933, p. 67
Art Institute of Chicago, Art In Illinois, In Honor of the Illinois Sesquicentennial, 1968
Chicago, Studio Gallery, An Exhibition of Paintings by Anthony Angarola, 1931, no. 1
Memphis, Brooks Memorial Art Gallery; Evansville, Indiana, Society of Fine Arts and History; Edinboro, Pennsylvania, State Teacher’s College; Andover, Addison Gallery of American Art; Scranton, Pennsylvania, Everhart Museum; Philadelphia, Museum of Art, 69th Street Branch; Baltimore Museum of Art; Pittsburgh, Carnegie Institute, American Federation of Arts, Contemporary Oil Paintings—Chicago Painters, 1931–1933
Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, 1933, p. 67
Art Institute of Chicago, Art In Illinois, In Honor of the Illinois Sesquicentennial, 1968
Literature
D.C. Rich, “Chicago Painters,” Magazine of Art, no. 24, February 1932, pp. 109–110, illustrated
D.C. Rich, “Anthony Angarola,” Magazine of Art, no. 25, November 1932, pp. 267–276
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 16
D.C. Rich, “Anthony Angarola,” Magazine of Art, no. 25, November 1932, pp. 267–276
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 16
Condition
Oil on canvas. Canvas is not lined. SURFACE: in good condition aside from surface dirt. UNDER UV: No apparent inpainting.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.