Commissioned in Indiana circa 1890 by the Independent Order of Odd Fellows.

Hill Gallery, Birmingham, Michigan

Frank Maresca and Roger Ricco, American Vernacular (Boston: Bulfinch Press, Little, Brown and Company, 2002), p. 53.

Overall, the paint on the face appears to be the original surface, some in painting in the forehead and scattered on the cheeks and nostrils; some minor in painting on the tail, and minor scattered inpainting on the legs
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The myth that fraternal lodge members had to ride a live goat during Satanic initiation rites was first broached in attacks on the Odd Fellows published in the 1840s. However, by the time this singular beast was made, the idea of goat riding had become an inside joke embraced by a number of American organizations, including the Odd Fellows, Freemasons, and Modern Woodsmen of America, and fraternal supply companies offered a variety of unbalanced wheeled mechanical goats used in boisterous lodge pranks.  

This unique handmade example ♑is far more realistic and co🎉mplex than the manufactured pieces, which were usually no more than a fur-upholstered seat and toylike goat's head mounted on a wobbly tricycle frame.