Lot 124
- 124
Emile Gallé
Estimate
25,000 - 35,000 EUR
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Description
- Vase L'Orge, vers 1900-1902
- Signature Gallé en camée sur le flanc
- glass
- 33,5 x 9 cm (13 1/8 x 3 1/2 in.)
verre double couche soufflé-moulé, le corps à décor de brindilles d'orge entièrement repris à la roue sur fond martelé
Provenance
Collection Philippe Houot, Nancy, acheté directement auprès de l'artiste
Dans la famille depuis l'origine
Dans la famille depuis l'origine
Literature
Pour un modèle similaire :
Roberta Waddell, The Art Nouveau Style in jewelry, metalwork, glass, ceramics, textiles, architecture and furniture, New York, 1977, p. 233
Alastair Duncan et Georges de Bartha, Glass by Gallé, Londres, 1984, p. 34, ill. 4H, p. 63, ill. 74A
Emile Gallé : Dreams into glass, catalogue d'exposition, The Corning Museum of Glass, Corning, 28 avril - 21 octobre 1984, pp. 84-85
Alastair Duncan, The Paris Salons: 1895-1914, Volume IV: Ceramics and Glass, Woodbridge, 1988, p. 208
Art Nouveau Glass in the Four Seasons from the Collection of Kitazawa Museum, catalogue d'exposition, Suwa, 2011, p. 48, pl. 63
Emile Gallé, Nature and Symbol, catalogue d'exposition, Tokyo Metropolitan Teien Art Museum, 16 janvier - 10 avril 2016, p. 130
Roberta Waddell, The Art Nouveau Style in jewelry, metalwork, glass, ceramics, textiles, architecture and furniture, New York, 1977, p. 233
Alastair Duncan et Georges de Bartha, Glass by Gallé, Londres, 1984, p. 34, ill. 4H, p. 63, ill. 74A
Emile Gallé : Dreams into glass, catalogue d'exposition, The Corning Museum of Glass, Corning, 28 avril - 21 octobre 1984, pp. 84-85
Alastair Duncan, The Paris Salons: 1895-1914, Volume IV: Ceramics and Glass, Woodbridge, 1988, p. 208
Art Nouveau Glass in the Four Seasons from the Collection of Kitazawa Museum, catalogue d'exposition, Suwa, 2011, p. 48, pl. 63
Emile Gallé, Nature and Symbol, catalogue d'exposition, Tokyo Metropolitan Teien Art Museum, 16 janvier - 10 avril 2016, p. 130
Condition
EN - Some shiny areas at the edges of the cameo decoration where it meets the body of the vase throughout, this will be due to the manufacturing process. A couple of very minor chips to the high points of the cameo decoration. Some very light scratching to the underside consistent with age. Otherwise good. A light and extremely delicate form.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."