Lot 125
- 125
Emile Gallé
Estimate
30,000 - 50,000 EUR
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Description
- Vase Les Ephémères, vers 1902-1904
- Signature gravée Gallé sur le flanc
- glass
- 16 x 8,5 cm (6 1/4 x 3 3/8 in.)
verre soufflé à décor de poudres et marqueterie sur verre intercalaires d'une nuée d'éphémères entièrement repris à la roue
Provenance
Collection Philippe Houot, Nancy, acheté directement auprès de l'artiste
Dans la famille depuis l'origine
Dans la famille depuis l'origine
Literature
Pour des modèles au décor d'éphémères comparables :
Janine Bloch-Dermant, L'Art du Verre en France, 1860-1917, Lausanne, 1974, p. 105
Alastair Duncan et Georges de Bartha, Glass by Gallé, Londres, 1984, p. 62, n. 71
Emile Gallé, Dreams into Glass, catalogue d'exposition, The Corning Museum of Glass, Corning, 28 avril - 21 octobre 1984, pp. 148-151
Gallé, catalogue d'exposition, Musée du Luxembourg, Paris, 29 novembre 1985 - 2 février 1986, p. 182, n. 97
Françoise-Thérèse Charpentier et al. Art Nouveau, l'Ecole de Nancy, Paris, 1987, couverture et p. 171
Emile Gallé et le verre, La collection du Musée de l’Ecole de Nancy, Musée de l'Ecole de Nancy, Paris, 2004, ill. 307, p. 176
Valérie Thomas & Helen Bieri Thomson, Verreries d’Emile Gallé De l’œuvre unique à la série, Paris, 2004, pp. 69-71
François Le Tacon, Emile Gallé, L’amour de l’art, Nancy, 2008, p. 164
Janine Bloch-Dermant, L'Art du Verre en France, 1860-1917, Lausanne, 1974, p. 105
Alastair Duncan et Georges de Bartha, Glass by Gallé, Londres, 1984, p. 62, n. 71
Emile Gallé, Dreams into Glass, catalogue d'exposition, The Corning Museum of Glass, Corning, 28 avril - 21 octobre 1984, pp. 148-151
Gallé, catalogue d'exposition, Musée du Luxembourg, Paris, 29 novembre 1985 - 2 février 1986, p. 182, n. 97
Françoise-Thérèse Charpentier et al. Art Nouveau, l'Ecole de Nancy, Paris, 1987, couverture et p. 171
Emile Gallé et le verre, La collection du Musée de l’Ecole de Nancy, Musée de l'Ecole de Nancy, Paris, 2004, ill. 307, p. 176
Valérie Thomas & Helen Bieri Thomson, Verreries d’Emile Gallé De l’œuvre unique à la série, Paris, 2004, pp. 69-71
François Le Tacon, Emile Gallé, L’amour de l’art, Nancy, 2008, p. 164
Condition
A few very minor scratches consistent with age. Otherwise good. An extraordinary work of great delicacy.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."