Lot 25
- 25
A regilt-bronze mounted amaranth veneered writing desk, Régence
Estimate
60,000 - 100,000 EUR
bidding is closed
Description
- amaranth, gilt bronze
- Haut. 76,5 cm., long. 179,5 cm., prof. 87,5 cm. ; Height 30¼in., width 70¾in., depth 34½in.
with a rectangular top above a shaped frieze with three drawers decorated with gilt- bronze foliate scrolls and handles, each side with astronomical motifs, on cabriole legs with winged female torso, ending in foliate scrolled and trellis feet, with the stamp EHB underneath the central drawer
Provenance
Edward Holmes Baldock (1777-1845), London
Condition
The illustration of the catalogue is accurate.
Good overall condition.
There are the inevitable dents, marks and scratches due to age and use.
The leather top is later, with some minor stains and surface scratches. The veneered border of the top has been restored.
There are chips to the veneer, especially to the edges. There are restorations to the veneer.
The ormolu mounts are re-gilt, probably originally varnished. The inside of the left-hand side drawer has been restored. The amaranth has a beautiful colour.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This amaranth desk is typical of Parisian production under the French Régence, particularly from the workshops of cabinetmakers Etienne Doirat, Noël Gérard, or Bernard Lieutaud.
Edward Holmes Baldock (1777-1845) was one of London's leading merchants who specialised in 18th century French furniture and mounted porcelain. In 1805, he established himself as a Chinese porcelain and glassware merchant at 7 Hanway and was granted the status of official supplier of Chinese ceramics to King William IV from 1832 to 1837 and to Queen Victoria from 1838 until his death in 1845. From 1821 onwards, he widened his field of activities and worked as a merchant and restorer of furniture, similar to the Paris merchant-merciers of the previous century and he did not hesitate to restore and bring up to date the furniture of the eighteenth century to satisfy the tastes of his clients.
Edward Holmes Baldock (1777-1845) was one of London's leading merchants who specialised in 18th century French furniture and mounted porcelain. In 1805, he established himself as a Chinese porcelain and glassware merchant at 7 Hanway and was granted the status of official supplier of Chinese ceramics to King William IV from 1832 to 1837 and to Queen Victoria from 1838 until his death in 1845. From 1821 onwards, he widened his field of activities and worked as a merchant and restorer of furniture, similar to the Paris merchant-merciers of the previous century and he did not hesitate to restore and bring up to date the furniture of the eighteenth century to satisfy the tastes of his clients.
With clients like King George IV and a large part of the English aristocracy, he participated in the development of the largest collections of French furniture in the nineteenth century. His signature, E.H.B which can be found on furniture dating back to the 18th and 19th centuries, was identified ൩by Sir Geoffrey de Bellaigue, who was the Director of the Royal Collection from 1988 to 1996.