- 302
Cheong Soo Pieng
Estimate
500,000 - 700,000 HKD
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Description
- Cheong Soo Pieng
- Wood Carving
- signed in Chinese and dated 1979; signed, numbered 4 and dated 79 on the reverse
- oil on canvas
Provenance
Private Collection, Singapore
Exhibited
Singapore, The National Museum Art Gallery, Cheong Soo Pieng, 11 - 22 September 1991
Literature
Cheong Soo Pieng, National Museum of Singapore, 1991, p. 15, color illustration
Condition
This work is in good overall condition as viewed. Examination under ultraviolet light reveals tiny spots of restoration on the arms, back and feet of the figure. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
During his trip to Bali in the 1970s, Cheong Soo Pieng employed a figurative art style to portray of Balinese villagers. Delicate long limbs and torsos beautifully describe his Balinese models, who resemble elegant wayang puppets. He extends this formula in Wood Carving, depicting a craftsman deeply concentrated in carving, seemingly oblivious to the artist’s gaze. Cheong employs an iridescent gold paint throughout the painting, which exudes a rich radiance reminiscent of Byzantine mosaics. The intricate patterns and natural elements, coupled with the very subtle range of pigments, bring forth a sense of tranquillity and eternal peace, reflecting Soo Pieng’s vision of Bali and its culture.