This work is in good overall condition as viewed. There is evidence of very minor wear along the edges of the painting due to abrasions with the frame but this does not affect the overall image. Under bright light, there is light craquelure across the surface of the canvas, especially in the areas of thicker impasto. However this is stable and the paint layers are healthy overall. There is an extremely tiny loss and flaking in the lower left quadrant as well as the upper middle quadrant. Examination under ultraviolet light reveals evidence of restoration along the vertical center and along the edges of the work, but this only visible under ultraviolet light. This work could benefit from a light cleaning. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"My art is related to a positive energy hinging upon creation (the realm of thought), sense/intuition (the realm of fine character), and intention (a passion for life, desires, will and hopes.) These three elements form the essence of the human energy to operate within their cultural spheres, and for me, this is a process of veneration."

- Srihadi ^[i]

^[i]Supangkat, J. (2012) Srihadi Dan Seni Rupa Indonesia. Edited by Irma Damajanti ಞand Anissa Rahadi. 1st edn. Jakarta Indonesia: ART 1:⭕ New Museum.