comprising a central section with two stitched components on each side, woven in weft-faced polychrome compound twill with red, green, honey and blue threads, featuring a large foliate medallion enclosing a finely outlined stag with floral coat, blossoming lotus palmettes between

Fragmentary, comprised of multiple sections of textile, restored and set on a silk backing and mounted onto blue cotton covered mount with hooks to reverse. Small tears throughout and associated consolidation. Staining and discoloration. We would recommend contacting a professional textile restorer for further advice on conservation, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The ephemeral quality and delicacy of this deer distinguishes it from the traditionally schematic quality of Sogdian textile design. There exists a fragility and grace in the curvilinear outline of the body and certain naturalism in the mane flowing down its chest that renders this a charming depiction. The more common pearl border of the seventh/eighth century has been replaced with a lush border of interlacing palmettes characteristic of the eighth/ninth century. Opulent vegetal motifs richly adorn the spaces between the roundels, playing an important role in the symmetry of the design. These botanical motifs can be compared to silk textiles preserved in the Shōsō-in, Kyoto, Japan (C. Beurdeley, Sur les routes de la soie: Le grand voyage des objets d'art, Fribourg, 1985, pp.126-7, no.124).