a large fragment, woven in weft-faced polychrome compound twill with red, green, honey and blue threads, the design comprising pearl roundels containing facing stags and lions between a stylised tree, with foliate medallions between

Fragmentary, comprised of one large central textile section with two small sections stitched at either side, minor tears throughout but particularly to top and bottom areas with associated restoration and consolidation, some discoloration and dark staining, particularly visible to top right-hand corner, set onto blue-cotton covered mount with two hooks to reverse for hanging. We would recommend contacting a professional textile restorer for further advice on conservation. As viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Designed with the favoured pearl roundels linked to both Persian and Chinese traditions, this elegant textile, alongside the previous two lots, speaks to the unique style and decoration of Sogdian textile production and the multi-layers of symbolism it depicts.

Within each pearl roundel features two confronting deer above facing lions between a stylised tree. The space in between the roundels is filled with a symmetrical quatrefoil enclosing palmettes. Although not appearing directly in confrontation on the present example, the lion and deer are natural enemies in the animal kingdom, and often, as inspired by Sassanian royal iconography, the depiction of feared animals and their victims allude to the relationship between the powerful ruler and his enemies. Th༺is particular motif carries a strong association with power and potency, and possibly was meant to refer to the wearer himself.