- 8
A Regency penwork side cabinet, circa 1810
Estimate
8,000 - 12,000 USD
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Description
- brass, pine, oak, paint
- height 34 in.; width 73 in.; depth 21 in.
- 86.5 cm; 158.5 cm; 53.5 cm
Provenance
Carlton Hobbs, London
Condition
Beautifully decorated and ready to place. Feet are later. The lower section of the base molding and the uppermost molding to the back are also later. Some rubbing, discolouration and retouching to areas of the decoration. The top with minor nicks, scratches and an old repaired age split. Some minor old wood worm damage. Locks have been replaced.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The technique of penwork variously referred to during the 19th century as 'Chinese painting', 'imitation ivory inlaying' and 'voiding' was predominantly an amateur pursuit and was highly fashionable during the Regency period. The principle inspiration for this form of decoration according to Ackermann's Repository of Arts (1809-28) was 'Indian ivory work', presumably of a similar nature to 18th century Vizagapatam work. Neoclassical engravings after John Flaxman and Thomas Hope were also a major design source.