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Lot 105
  • 105

Ettore Sottsass

Estimate
15,000 - 20,000 GBP
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Description

  • Ettore Sottsass
  • 'Le Società del Pianeta' Bed, from the 'Ruins' Series
  • with metal plaque DESIGN / GALLERY / MILANO / ETTORE SOTTSASS / 9/9 / 1992 MADE IN ITALY
    from an edition of 9 + 3 AP
  • laminated plywood, wood

Literature

Barbara Radice, Ettore Sottsass: A Critical Biography, London, 1993, p. 215

Condition

Overall very good condition. Minor fading to the top of the foot board. A very minor dent to the top left edge of the foot board, approximately 0.5 cm length. Very minor seam splits to the foot board running horizontally, not visually distracting. Sotheby's does not guarantee electrical components and suggests having all wiring inspected by a licensed electrician.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Laminate was used until the 1960s as a surface to reproduce, by imitation, something that already exists in nature (wood, marble, etc). Ettore Sottass’ great insight was to realise that laminate could have its own independent and emotional range that could help give identity to the surface of an object, thereby changing our perception of it. Sottsass brought a new way of conceiving the laminate. 'Le Società del Pianeta‘, a bed designed for Design Gallery Milano, and exhibited in 1992 at the Ruins exhibition, presents perfectly the designer’s relationship with this material. The object was transformed into a message of provocation for the traditional culture of design. More a sculpture than a piece of furniture, at the same time the combination of patterns and colours makes it a playful object.