4to, number 449 of 500 copies signed by the artist, 16 coloured plates and other illustrations by Arthur Rackham, original pictorial vellum gilt, top edge gilt, preserved in a red cloth and velvet slipcase, some spotting, boards rubbed with minor soiling

Riall p. 130

Condition is described in the main body of the catalogue, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"The Romance of King Arthur (1917) was another wartime book, commissioned, like the Allies' Fairy Book, to reflect - and cash in upon - the nations' mood of patriotism, and martial endeavour. In preparing for the commission, Rackham turned to his own copy of Beardsley's Morte D'Arthur and, following the pattern of the Beardsley version, drew square and rectangular chapter headings to be set at irregular intervals up and down the page. As in Beardsley, these have a stark black and white appearance, though Rackham cannot resist the occasional wryly humorous touch such as a barking dog or a jester's head." (James Hamilton. Arthur Rackham. A Biography. 2010)