opaque pigments heightened with gold on paper, framed

Bourrelier Collection, Paris
Ex. Alexis Renard
Sotheby’s London, 7 April 1975, lot 165

In good condition, some rubbing affecting mainly the tree, minor holes, some creases and stains, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Marbling as a technique was practised throughout Asia, however marbled studies of animals was a speciality of the Deccan and in particular Bijapur. For many years scholars believed these marbled paintings were produced by Ottoman artists but Zebrowski later convincingly attributed a number of surviving examples to the Deccan. Another marbled elephant study also from the Hodgkin collection is reversed with the elephant reserved against a marbled background (Topsfield 2012, no.41).