Acquired from the artist circa 1968
Private Collection, New York
Thence by descent to the present owner

This work is in beautiful condition. It probably has not been restored since it was painted. There seems to be one tiny scratch in the lower left in the black that can be retouched. The painting seems to be dirty, and it seems that the work can be safely cleaned if carefully approached. (This condition report has been provided courtesy of Simon Parkes Art Conservation, Inc.)
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

“As a child [Fernando Botero] studied religion and was immersed, as a matter of course, in the aurora of sanctity (both real and imagined) that permeates the traditions of his country[…] Colonial baroque art was the first source of artistic stimulation which Botero received as a child. Throughout his career he has returned to themes associated with religious life from time to time. It is important to understand that here too Botero’s sense of humor, irony, and even (in certain instances) a critical attitude can be observed.” -Edward J. Sullivan, Botero, New York, 1993, p. 18