Capezzale: There are standard surface abrasions and needs cleaning. Losses to three flower heads on outer border (see catalogue image). Some small loss to coral including flames on lower portion of figural scene. Very minor losses to white enamel. Very delicate engraving on central panel. Bottles: Standard surface abrasions and small losses. One bottle with two strips of coral inlay lacking (and now filled with maroon-coloured material) and one strip poorly re-glued. The other with losses to two coral beads in central band. Both with soldered stoppers.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Trapani was a leading center for the production of works of art in coral in the 17th and 18th centuries.  Due to its geographical position and its extensive coral banks, it became one of the principal commercial ports in the Mediterranean.  This growth resulted in the expansion of a prosperous merchant class, who, together with the wealthy clergy, contributed to the development and growth of a high level of coral and goldsmith's work.  In 1628, the guild of the coral workers, the Arte dei Corallari, was established in Trapani and after the suppression of the insurrection there in 1672, the skilled coral workers were dispersed to other Mediterranean centers.

From the Renaissance, coral was sought after for its rarity, colour and unusual texture and it was believed (as 🍸was the case in antiqu💝ity) to have the power to ward off the 'evil eye'.

RELATED LITERATURE
M. Concetta Di Natale, Il Corallo Trapanese nei secoli XVI e XVII, Brescia, 2002