Engraving, a good impression, circa 1498, a fragment; with Christ in Limbo after Mantegna, possibly by Francesco Novelli, engraving, circa 1797, a good impression; and Six Saints after Titian, woodcut (Muraro & Rosand 44), a fairly good but slightly uneven impression

B. 12: Trimmed approx. 87 mm. into left of subject, retaining a fillet of blank paper outside the borderline at top and bottom, trimmed on the borderline at right, the left edge of print overlaid with a paper strip drawn in with a borderline in pen and black ink, two small plugged losses in the foremost elephant's ear touched-in with pen and black ink, residual sanguine crayon towards the left sheet edge, a couple of small brown stains towards left of subject. F. Novelli: Retaining a fillet of blank paper outside the borderline, in good condition, the print laid onto thick laid paper. After Titian: With unevenly trimmed margins, made-up losses at the sheet corners and edges, some surface dirt and in the margins, a letter inscribed in pen and ink in the upper margin, a pale stain in the lower margin, the subject in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."