The card is in good stable condition. There are three minor surface abrasions to the figure's shoulder and a few spots of foxing in the background. There is some faint staining to the work and some surface dirt. Held in a simple wooden frame and light grey mount. Please note that the work has been examined out of its frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

La Speranza translates from Italian into English as Hope, the same subject made famous by the various versions of George Frederic Watts' painting. Watts did not begin the first version of Hope (Tate) until 1886 and therefore Solomon cannot have been inspired by him but they did work on similar allegorical themes throughout their careers. 'Speranza' was also the pseudonym of Lady Jane Wilde whose son Oscar owned many pictures by Solomon, the loss of which were lamented in his accusatory letter to Lord Alfred Douglas, De Profundis.