The board appears to be sound. There is some surface matter and studio detritus apparent. There is an extremely tiny line of craquelure at the lower edge to the left the of the bottle. Subject to the above the work is in overall very good condition. Inspection under ultra violet light reveals no obvious signs of restoration or fluorescence. The work is framed with a linen slip, within a simple wooden frame. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present lot.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The Australian born Orry-Kelly is one of the most celebrated costume designers of Hollywood’s Golden Age. Working on hundreds of productions, he was chief costume designer at Warner Bros. from 1932-44, and was nominated for four Academy Awards, winning three for An American in Paris, Les Girls and Some Like it Hot. Vivien knew and was friends with Orry-Kelly, and may have acquired the present work and Flowers in a Glass Vase (lot 155) directly from him.