some branded 'E.T', including a pair of armchairs, two chairs with drop-in rush seats, re-decorated

Possibly eight acquired from Colefax & Fowler ‘a set of 8 single chairs and 2 armchairs regency rosewood grained’ for £95, 2 October 1946, (Laurence Olivier Archive, The British Library, London, Add MS 79839)

Cecily Finn, 'Den Förtrollande Ladyn’ [The Enchanting Lady], Bonniers Månadstidning, 1954, p. 35, figs. 3-4, illustrated in the drawing room and dining room at Durham Cottage, Chelsea;
Anthony Denney, ‘The Oliviers off stage’, House and Garden, May 1958, p. 62, p. 65, illustrated in Laurence's study and the dining room at Eaton Square, Belgravia;
Martin Wood, John Fowler, Prince of Decorators, London, 2007, p. 82, in the same rooms.

These lovey chairs have sustained much wear and some damage from heavy use over many years. Two with fractures to cane seats. One with fracture to back and with losses. Other fractures and damage. Accompanying upholstered seats stained and with old marks. Traces of worm to some. Losses some detail both carved and painted decoration. Exposed beech where paint is rubbed. This charming set will require some workshop attention.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Martin Wood, op. cit. p. 82 writes, 'A pillared alcove, which opened off the hall, served as a dining room [at Eaton Square]... Black and gilt cane back chairs were chosen so as not to appear too heavy or solid in the confined space'.