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Lot 61
  • 61

BÂTON OSHE SHANGO, RÉGION D'OYO, YORUBA, NIGERIA |

Estimate
8,000 - 12,000 EUR
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Description

  • wood
  • haut. 42 cm ; 16 1/2 in
Bâton Oshe Shango, Région d'Oyo, Yoruba, Nigeria

Provenance

Merton Simpson (1928-2013), New York
Christie's, Paris, 14 juin 2004, n° 160
Collection privée, France, acquis lors de cette vente

Literature

Merlo, "Ibeji, hohovi, venavi", Arts d'Afrique Noire, 1977, n° 27, p. 19, fig. G

Condition

Very good condition overall. As visible in the catalogue illustration, the front of the base is broken. Wear consistent with age and use within the culture. Beautiful brown patina, with brown nuances.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Brandis lors des danses en l’honneur de la divinité (orisha) Shango, les oshe shango traduisent, par leur iconographie, tant la nature du dieu que celle de l’orant qui lui adresse ses prières. La prêtresse, représentée agenouillée, tient un emblême Oshe Shango d’une main, et de l’autre une crécelle en forme de gourde. La beauté de cette figure, exaltée par l’harmonie parfaite des proportions,  culmine dans la tête couronnée par les deux celts de la hache, attribut de la divinité Shango. Le visage aux formes pleines, la bouche détaillée et les yeux losangés – la paupière bordée de fines incisions - témoignent du travail d’un artiste de la région d’Oyo. L’emblème est sublimé par la subtile patine qui atteste de son usage prolongé.