- 386
Henri Martin
Estimate
50,000 - 70,000 USD
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Description
- Henri Martin
- Barques aux environs de Collioure
- Signed Henri Martin. (lower left)
- Oil on panel
- 14 5/8 by 18 1/8 in.
- 37.2 by 46 cm
Provenance
Maison Toussaint, Paris
Private Collection, France (and sold: Sotheby's, London, June 23, 2011, lot 103)
Acquired at the above sale
Private Collection, France (and sold: Sotheby's, London, June 23, 2011, lot 103)
Acquired at the above sale
Condition
The work is in excellent condition. The panel is sound.The impasto is well-preserved and the colors are bright. Under Uv light, some original pigments fluoresce but no inpainting is apparent.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The authenticity of this work has been confirmed by the late Cyrille Martin.