- 356
MAURICE UTRILLO | Rue Chevalier de la Barre, Montmartre
Estimate
180,000 - 250,000 GBP
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Description
- Maurice Utrillo
- Rue Chevalier de la Barre, Montmartre
- signed Maurice, Utrillo, V, (lower right)
- oil on panel
- 74.3 by 51.8cm., 29 1/4 by 20 5/8 in.
- Painted circa 1917-18.
Provenance
Perls Gallery, New York
Private Collection (acquired from the above circa 2000)
Thence by descent to the present owner
Private Collection (acquired from the above circa 2000)
Thence by descent to the present owner
Literature
Georges Bernier, Maurice Utrillo, Cremona, 1980, no. 25, illustrated n.p.
Condition
Please note that a professional condition report is available for this lot. Please contact the department for further details on +44 207 293 6413.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Dominated by the imposing form of the Basilica of Sacré-Cœur, Rue Chevalier de la Barre, Montmartre depicts a scene of paramount importance for Maurice Utrillo. Sacré-Cœur was one of his most significant recurring motifs, and the artist depicted the glorious architecture of the church throughout the changing seasons and at differing times of day. Construction on the Basilica commenced in 1875 as a symbol of resurgence and hope following the events of the Franco-Prussian War five years earlier, and the monument quickly became one of the most recognisable and revered Parisian landmarks. Within the present work Utrillo depicts Sacré-Cœur from a striking and somewhat atypical viewpoint, so that the domes of the church soar into the sky with dramatic grandeur. Renowned for his atmospheric and subtly nostalgic views of Paris, Utrillo immortalised a timeless realisation of the city within his paintings over the course of several decades. Born in Montmartre, the area exerted a strong emotional pull on Utrillo, and he painted its streets, windmills and cafés in painstaking detail throughout his life. Alfred Werner comments on the artist’s remarkable ability to distil the hidden essence of these familiar surroundings: ‘Utrillo’s works make it perfectly clear to a visitor to the hill of Montmartre […] that it is an artist’s task to reveal to us an aspect of his subject matter that escapes us in ordinary experience. Matter-of-fact and unromantic as Utrillo may have seemed to be while labouring at a piece of canvas or cardboard, he was actually a poet who achieved an emotional equilibrium, an inward harmony, that is only rarely attained […] The painter-poet, singling out a motif, leads us out of confusion to the highest state of mind – clarity’ (Alfred Werner, Utrillo, London, 1981, p. 40).
The authenticity of this work has been confirmed by the Comité Utrillo-Valadon.
The authenticity of this work has been confirmed by the Comité Utrillo-Valadon.