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Lot 265
  • 265

SAPPHIRE AND DIAMOND BRACELET, 1930S

Estimate
27,000 - 40,000 CHF
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Description

Of geometric design, set throughout with circular-cut diamonds, embellished with square-cut diamonds length approximately 170mm, French assay mark for gold and platinum, maker's mark for Henri Picq.

Condition

French maker's mark for Henri Picq, assay mark for 18 carat gold on the clasp and for platinum on the jewel. Sapphires well matched in colour, blue of medium strong saturation, with typical inclusions visible under close inspection, some abrasions and nicks visible to surface, especially on facet junctions. Diamonds are estimated to weigh a total of approximately 9.00 - 11.00 carats, on average G-H colour, VS-SI clarity as gauged and graded in the mount. Minor scratches to the metal. Clasp secure, safety catch. In very good condition. Gross weight approximately 83 grams.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The workshop of Henri Picq was founded circa 1888 and became known for creating jewellery of the highest quality craftsmanship. He caught the attention of Paris's Haute Joaillierie and started working with Cartier in 1900. Over the next two decades he worked almost exclusively for Cartier and created some of their most remarkable jewels. He was especially known for his skillful manipulation of platinum. Cartier “was said to use the best platinum in Paris. It was renowned for its white, shimmering surface, an alloy of which the Picq workshop was especially proud”, as Nadelhoffer noted in his book on Cartier. During the 1920s and 1930s, the workshop created many of their iconic ‘Tutti Frutti’ jewels as well as some of their superlative Art Deco pieces. Around this time the workshop of Henri Picq branched out and started working with other jewellery houses such as Lacloche and Ostertag, while preserving its commitment to Cartier. Whether signed by Cartier or not, a jewel with the renowned Henri Picq mark is guaranteed to be not only beautiful to look at but also beautifully made.