The panel is uncradled, made up of a single plank, is bevelled on all four edges, and is flat and stable. There is evidence of an old horizontal baton along the upper edge, most likely to secure the upper right corner, which is coming loose but secured by some nails. The paint surface is relatively clean and the varnish is discoloured and uneven. There is a small panel loss halfway down the right edge, as well as worm holes scattered mainly in the lower quarter of the composition. There are two vertical splits in the panel in the left third of the composition, one starting from the upper edge approx. 8cm. long and one from the bottom edge approx. 5cm. long. There are further surface cracks in the upper centre, two of which are in the female sitter's face. Inspection under ultraviolet light reveals a thick, milky varnish underneath which retouchings are visible along the aforementioned cracks, as well as small spots scattered throughout, but it is difficult to discern much else. In overall fair condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

We are grateful to Professor Marco Tanzi for tentatively suggesting an attribution to Cristoforo Magnani (circa 1545 - circa 1580), a pupil of Bernardino Campi from Pizzighettone, Cremona.