The canvas is lined, the paint surface is relatively clean and the varnish is discoloured. There are three square areas of visible retouchings, in the lower left corner, halfway along the upper edge, and in the lower right corner where some paint loss is also visible, as well as a small circular area of retouching in the sitter's right jaw and ruff. Inspection under ultraviolet light reveals these underneath a milky varnish, as well as further retouchings in the proper right side of her ruff and coat, in her proper left jaw and to the right of her nose and lips, as well as a few scattered in her hair. In overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A head and shoulder period copy after the 1632 reduced full-length portrait by Velázquez in the Kunsthistorisches Museum, Vienna.¹  1. See J. López-Rey, Velázquez, Catalogue Raisonné Werkverzeichnis, vol. II, Cologne 1996, p. 152, cat. no. 62, reproduced.