well-modeled in spirited pose with a briskly raised right foreleg, the head with well articulated features, mouth agape, flaring nostrils, bulging eyes and a divided forelock swept to either side of the pricked ears, the arched neck with full flowing mane falling just short of the saddle and pleated saddle cloth, traces of red pigment

Sydney L. Moss Ltd., London, 9th February 1970.

The horse has several restored breaks including the legs, neck, rump, tail, ears and rectangular base. The restoration has darkened to an ash rose color and is easily discerned. The surface with wear overall and minor imperfections consistent with age and type.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

With its dynamic pose, the horse conveys a lively sense of energy. The long elegant mane and prancing position represent one of a highly desirable and rare group of trained dancing horses that were much in demand by the Imperial household and its guests. A similar figure from the Albright-Knox Art Gallery, Buffalo, New York, was sold in these rooms, 15th March 2017, lot 599. See also a pair of similarly posed pottery horses of smaller size sold in these rooms, 12th September 2018, lot 201.