Alexej von Jawlensky
Abstrakter Kopf: Ostern (Abstract Head: Easter)
signed with the artist’s initials (lower left) and dated 33. (lower right); signed A. Jawlensky, dated 1933 and numbered N.83. (on the reverse)
16⅞ by 13 in.
42.8 by 32.9 cm.
Executed in 1933.
Price upon request
Taxes not included
VAT and other 🐎taxes are not reflected in the lisꦕted pricing.
Details
signed with the artist’s initials (lower left) and dated 33. (lower right); signed A. Jawlensky, dated 1933 and numbered N.83. (on the reverse)
16⅞ by 13 in.
42.8 by 32.9 cm.
Provenance
Emmy 'Galka' Scheyer, 𒀰Hollywood (on consig🍸nment from the artist in July 1933)
C😼♍ompulsory Estate Sale, U.S. Department of Justice, Office of Alien Property, Los Angeles, 29 September 1954, lot 4
Felix🧔 Landau Gallery, Los Angeles (acquired from the abꦰove sale)
J.B. Neumann Galleries, New York
World House Galleries, New York
Private Collection, California
Leonard Huꦡtton Galleries, New York (acquired by 1984💃)
Private Collection, United States
Sotheby's, New York, 16 November 1989, lot 357 (consign♔ed by the above)
Private Co♑llection, Germany (acquired from the above sale)
Chr💯istie's, London, 7 February 2005, lot 52 (consigned by the aboveꦆ)
Private Collection, London (acquired from the abovಞe sale)
Private Collection (acquired by descent fꦓrom the above)
Christie's, London, 2 February 2010, lot🍬 42 (consigned by the above)
Priꦆvate Collection, Europe (acquired from the above🥂 sale)
Christie’s, London, 4 February 20﷽15, lot 36 (consigned by the a♈bove)
Acquired from the above sale by the present owner
Exhibition
(probably) Los Angeles Museum, The Blue Four, 1933, no. 77
(probably) Seattle, University of Washington, Henry Art Gallery, no. 40 (titled Spring)
(probably) New York, Nierendorf Gallery, no. 62 (titled Spring)
New York, Leonard Hutton Galleries, The Blue Four: Feininger, Jawlensky, Kandinsky, Paul Klee, 1984, no. 32, p. 76 and p. 42, illustrated in color (titled Ostern)
Museum Wiesbaden, Alexej von Jawlensky zum 50. Todesjahr, Gemälde und graphische Arbeiten, 1991, no. 130, p. 120 and p. 221, ilඣlustrated in color
Madrid, Fundación Juan March and Barcelona, Museu Picasso, Alexej von Jawlensky, 1992, no. 104, p. 116, illustrated in color (titled La pasqua)
Literature
The Artist's Cahier Noir, p. 20
Michael Brenson, “Art: A View of the Blue Four and Expressionism,” The New York Times, 20 April 1984, p. C25, illustrated
Maria Jawlensky, Lucia Pieroni-Jawlensky and Angelica Jawlensky, Alexej von Jawlensky, Catalogue Raisonné of the Oil Paintings, 1914-1933, vol. II, London, 1992, no. 1434, pp. 🌼488-489 and p. 499, illustrated in color