the complete portfolio of 10 gelatin silver prints, each with the photographer’s facꦍsimile signature label🍨, signed by Doon Arbus, the artist’s daughter, titled and dated by Neil Selkirk and numbered in ink, and stamped on the reverse

each image approximately: 14 ¾ by 14 ¾ in.

each image approximately: 37.5 by 37.5 cm.

Executed in 1962-70, printed🥂 in 19⛎71 by Neil Selkirk, these prints are from an edition of 50.

Private Collection

Sotheby's New York, 2 October 1996, lot 399

Fraenkel Gallery, San Francisco

The Collection of Chara Schreyer💖, California𓆉 (acquired from the above in 1997)

Doon Arbus and Marvin Israel, eds., Diane Arbus: An Aperture Monograph, New York 1972, unpaginated (other exa𝄹🍌mples illustrated)

Sandra Phillips et al., Diane Arbus Revelations, Random House, New York, 2003 (othe🎃r ♒examples illustrated)

John P. Jacob, Diane Arbus: A Box of Ten Photographs, New York 2018 (other examples illustrated)

Identical Twins, Roselle, N. J.:

'Five Photographs by Diane Arbus,' Artforum, May 1971, p. 69, another example illustrated

New Photography USA, London 1972, unpaginated, another example illu📖st✃rated

Sarah Greenough, et al., On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography, Washington, D. C. 1989,🌳 pl. 359, another example illustrated

Ned Rifkin, Jane Jackson, et. al., Chorus of Light: Photographs from The Sir Elton John Collection, Atlanta, 2000, p. 86, another example illustrated

Weston Naef, Photographers of Genius at the Getty, Los Angeles 2004, pl. 115, another exam🐟ple illustrated

Rachel Rosenfield Lafo and Anne Higonnet, Presumed Innocence: Photographic Perspectives of Children, Lincoln 2008, pl. 51, another example illustrated

Quentin Bajac et al., eds., Photography at MoMA: 1960–Now, New York 2015, pl. 1, another example illustrated

Sarah Hermanson Meister, Arbus, Friedlander, Winogrand: New Documents, 1967, New York 2017, pp. 35 and 1🦋36, another example illustrated

Boy with a Straw Hat Waiting to March in a Pro-War Parade, N. Y. C.:

Artforum, May 1971, cover, another example illustrated

John Szarkowski, Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art, New York 1973, p. 207, another examp𒅌le illustrated

Peter Galassi, American Photography 1890-1965 from The Museum of Modern Art, New York 1995, p. 237, another example illustrated

Family on Lawn One Sunday in Westchester, N. Y.:

Diane Arbus, ‘Two American Families,’ Sunday Times Magazine, 10 November 196𝕴8, p. 56, another example illus🍰trated

Thomas W. Southall, Diane Arbus Magazine Work, Aperture 1984, pp. 1♌06-7, another example illu🔯strated

Carroll T. Hartwell, The Making of a Collection: Photographs from the Minneapolis Institute of Arts, Aperture 1984, p. 92, another example illustrated

Daniel Wolf, The Art of Photography, 1839-1989, New Haven 1989, pl. 329, another example illustrat💎ed

The Graham Nash Collection, Los Angeles 1978, p. 13, another e♛xample illustrated

A Jewish giant at home with his parents in the Bronx, N. Y.:

'Five Photographs by Diane Arbus,' Artforum, May 1971, p. 65, another example illustrated

Photography/Venice '79, New York: Rizzoli, 1979, p. 341, another example illustrated

Quentin Bajac et al., eds., Photography at MoMA: 1960-Now, New York, The Museum of Modern Art 2015, p. 25, another🃏 example illustrated

A young man in curlers at home on west 20th street, N. Y. C.:

John Szarkowski, Mirrors and Windows: American Photography Since 1960, New York: The Museum of Modern Art 1978, p. 100, another example illustra🌜ted

Sarah Greenough, Joel Snyder, David Travis, and Colin Westerbeck, On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography, Was🐻hington, D. C.: National Gallery of Art and🍸 The Art Institute of Chicago 1989, pl. 360, another example illustrated

Photographien im Dialog, Köln 1997, p. 57, another example illustဣrated

Emma Dexter and Thomas Weski, eds., Cruel and Tender: The Real in the Twentieth-Century Photograph, London: Tate🎀 Modern 2003, p. 237, another example illustrated

Peter Weiermair and Gerald Matt, Americans: The Social Landscape from 1940 until 2006, Masterpieces of American Photography, Kunstalle Wien 2006, p. 95, ano𝓀ther ex🎀ample illustrated

Eye of the Beholder: Photographs from the Collection of Richard Avedon, San Francisco 2006, vol. 1, unpaginated, another example illus𓆏trated

A young Brooklyn family going for a Sunday outing, N. Y. C.:

'Five Photographs by Diane Arbus,' Artforum, May 1971, p. 67, another example illustrated

Thomas W. Southall, Diane Arbus Magazine Work, Aper💟ture 1984, p. 106, another example illustrated

The king and queen of a senior citizens dance, N. Y. C.:

Thomas W. Southall, Diane Arbus Magazine Work, Apertu𝐆re 1984, p. 146, another example illustrated

Retired man and his wife at home in a nudist camp one morning, N. J.:

Thomas W. Southall, Diane Arbus Magazine Work, Aperture 1984, p. 163, another example illustဣrated

Xmas tree in a living room in Levittown, L. I.:

'Five Photographs by Diane Arbus,' Artforum, May 1971, p. 66, another example illustrated

Lauro Morales, a Mexican Dwarf, in his Hotel Room in N. Y. C.,

'Five Photographs by Diane Arbus,' Artforum, May 1971, p. 68, another example illustrated