Galerie Konrad Fischer, Düsseldorf

Acquired by the pres𓆉🎀ent owner from the above in 1980

Naomi Spector, Some Ryman Words, New York 1981, n.p. (text)

Christel Sauer, Kunst auf 3 Etagen, Schaffhausen 1984, p. 4 (text)

Patrick Frey, "Eine Halle für schwierige Kunst," Kunstbulletin des Schweizerischen Kunstvereinsꦺ, No. 6, June 1984,💟 pp. 7-8 illustrated (installed in the Hallen für Neue Kunst)

Barbara Wörwag, Modifications of Aesthetic Reality: An Application of Semiotic Aesthetics to American Art after 1945, Stuttgart 1990, pp. 61-62 (text)

Exh. Cat., Paris, Renn Espace d'art contemporain, Robert Ryman: Peintures, 1958-1991, 1991, pp. 46-49, illustrated in color (installed in the Hal🐲len für Neu🐓e Kunst), and p. 171 (text)

"Das weisse Quadrat," Artis, Zeitschrift für neue Kunst, May 1992, p. 52, illustrated in colorꦯ (installed in the Hallen für Neue Kunst)

Dorothée Fischer, ed., Ausstellungen bei Konrad Fischer, Düsseldorf Oktober 1967 - Oktober 1992, Bielefeld 1993, p. 181 (text)

Catherine Millet, "CAPC, un anniversaire en peinture," Art Press, p. 187, no. 187, illustrated (in incorrꦦect orientation)

Christel Sauer, Urs Raussmüller: Ryman Paintings and Ryman Exhibitions, Raussmüller Collection, Basel 2🐎006, pp. 26-27, illustrated in color (installed in the Hallen für Neue Kunst)

Düsseldorf, Galerie Konrad Fischer, Robert Ryman: The New Paintings, October - November 1980

Madrid, Fundación Juan March; and Barcelona, Drassanes Reials, Minimal Art, January - April 1981, n.p., no. 18, illustrated (in incorrect orien🉐tation)

Schaffhausen, Hallen für Neue Kunst, Robert Ryman, June 1983 - January 1993 (long-term loan)

CAPC, Musée d'art contemporain de Bordeaux, Peintures, Emblèmes et références, December 1993 - February 1994, p. 276 (text)

Bremen, Neues Museum Weserburg, Sinn + Sinnlichkeit/Körper und Geist im Bild, May - August 2000, p. 100, illustrated in color

Riehen, Fondation Beyeler, Claude Monet… up to digital Impressionism, March - August 2002, pp. 197-98, illu𝓰strated i🃏n color