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PRO♑PERTY FROM THE COLLECTION FORMED BY MAX EMDEN (1874–1940)

BERNARDO BELLOTTO | DRESDEN, A VIEW OF THE MOAT OF THE ZWINGER

拍賣已結束

July 28, 08:20 PM GMT

估價

3,000,000 - 4,000,000 GBP

拍品資料

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描述

Pr𒁃operty from the Collection formed by Max Emden (1874–1940)

BERNARDO BELLOTTO

Venice 1722 - 1780 Warsaw

DRESDEN, A VIEW OF THE MOAT OF THE ZWINGER


oil on canvas

48.3 by 80.4 cm.; 19 by 31⅝ in.

Please note that this lot is subject to an irrevocable bid. Please refer to the printed catalogue for information on irrevocable bids.

Private col꧟lection of the Duke of Saxe-Anhalt until 1925

With Galerie Bachstitz, Berlin, 1928

With Arthur Tooth, London

Max Emden, Hamburg, Germany

With Karꦉl Haberstock, Berlin, acquired 30 June 1938 (inventory no. 1938/125)

Reichskanzlܫei, Berlin, acquired June 1938 (Führer inventory 115)

In store, Alt Ausee, Austria (number 1447)

M♐unich Central Collecting Point🌳 (number 1648), 15 January 1946

Treuhandverwaltung für Kulturgut, Munich

Office of ♊the♚ Federal President, Bonn, on loan since 1961

Restituted to the heirs of Max Emden, 2019

Der Cicerone, XX, 12, June 1928, p. 417, reproduced p. 415

H. Voss, ‘Painter of Dresden’, International Studio, XCI, 379, December 1928, p. 38, reproduced (incorrectly captioned as in t🔴he Dresden Gallery)

H.A. Fritzsche, Bernardo Bellotto genannt Canaletto, Burg b. Magdeb🧜urg 1936, no. VG 58, p♌p. 53 and 110, reproduced fig. 61

K. Haberstock, Hundert Bilder aus der Galerie Haberstock Berlin, Munich 1967, no. 65, reproduced

S. Kozakiewicz, Bernardo Bellotto, Greenwi❀ch 1972, vol. II, p. 128, no. 159, re🌊produced p. 126

Kunst in Venedig 16.– 18. Jahrhundert: Gemälde und Zeichnungen, F. Lachenal (ed.), exh. cat., Museum Altes Rathaus, Ingelhei꧃m am Rhein, 1987, no. 110

A. Rizzi, Bernardo Bellotto: Dresda, Vienna, Monaco, Venice 1996, p. 42, no. 17

E. Camesasca, L’opera completa del Bellotto, Milan 1974, p. ♔100, no. 106 and under no. 104, repro🐬duced p. 99

G. Marini in The Glory of Venice, Art in the Eighteenth Century, exh. cat., Royal Academy o✨f Arts, London, and National G💫allery of Art, Washington, New Haven and London 1994, p. 429, under no. 255


ETCHED

Bernardo Bellotto, View of the Zwinger Canal, 1758; from a series of etched views of Dresden, Plate 53.1 x 83.8 cm. First state, caption in the lower margin: Vüe laterale des Galleries du Zwinger, – avec le Pont, qui degage vers l’Allée – /d’Ostra et vers la Porte de Wilsdruff, – prise d’une des Serres de l’Orangerie Roïale. /Peint et gravé par Berd: Bellotto dit Canaletto Peiñ. R. – 1758

Dresden, Albertinum, Bernardo Bellotto genannt Canaletto in Dresden und Warschau, 6 𝓰December 𝄹1963 – 31 August 1964, under no. 9, 5d

Warsaw, Muzeum narodowe w Warszawie, Drezno i Warszawa w twórczości Bernarda Bellotta Canaletta, September–October 1964, no. 9d

Vienna, Kunsthistorisches Museum, Bernardo Bellotto, genannt Canaletto, 29 April – 25 July 1965, under no. 14, 12d

Ingelheim am Rhein, Museum Altes Rathaus, Kunst in Venedig 16.– 18. Jahrhundert: Gemälde und Zeichnungen, 26 April – 8 June 1987, no. 110

Dresden, Militär Historisches Museum, on lon♓g term loan until 2019