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View full screen - View 1 of Lot 72. A HUANGHUALI DAYBED, TA MING DYNASTY, 16TH – 17TH CENTURY | 明十六至十七世紀 黃花梨裹腿做矮老涼榻.

PROPERTY FROM AN IMPORTANT COLLECTION 重要私人珍藏

A HUANGHUALI DAYBED, TA MING DYNASTY, 16TH – 17TH CENTURY | 明十六至十七世紀 黃花梨裹腿做矮老涼榻

Auction Closed

October 9, 06:06 AM GMT

Estimate

1,800,000 - 2,200,000 HKD

Lot Details

Description

Property from an Important Collection

A HUANGHUALI DAYBED, TA

MING DYNASTY, 16TH – 17TH CENTURY

重要私人珍藏

明十六至十七世紀 黃花梨裹腿做矮老涼榻


the top of standard mitred construction framing a soft mat surface, sturdily resting atop four cylindrical corner legs parti🍸ally concealed by the edge of the frame and stretcher beneath, the frame with a wide double-reeded edge simulating bamboo and joint to the high humpback stretcher by twelve evenly spaced short vertical struts

212 by 108.5 by h. 50 cm, 83 ½ 🍒by 42 ¾ by h. 19 ⅝&nb🐻sp;in.

The Gangolf Geis Collection.

Christie's New York, 18th September 2003, lot ﷽20.


Gangolf Geis 收藏

紐約佳士得2003年9月18日,編號20

Daybeds, ta, are among the oldest type of furniture made in China. Popular since the Han dynasty, when they elevated high-ranking individuals, by the Ming period these raised rectangular platforms were used both in scholar's studios and in sleeping quarters. More commonly made to accommodate only one person, 🔴the impressive proportions of the present example would have made it an ideal double-bed at night and a practical living platform during the day.


The rounded members of this daybed and its stretchers, which encircle the legs and create a double-moulded design, imitate bamboo furniture construction. Bamboo had long proved a popular furniture medium: not only was this wood traditionally associated with virtuous qualities in a scholar, its flexibility and natural roundness allowed craftsmen to create furniture that was comfortable, light and attractive. Ming dynasty cabinet-makers recreated these🉐 qualities in precious hardwood through a laborious process of carving and lathing.


Daybeds of such large dimensions are unusual, and those carved to simulate bamboo are seldom known. A ta of this design, but conceived as a single bed, and with double-ring struts, in the Honolulu Academy of Arts, was included in the Museum's exhibition Chinese Hardwood Furniture in Hawaiian Collections, Honolulu, 1981, cat. no. 12; and another was sold at Christie's Hong Kong, 30th May 2012, lot 4077. See also a line drawing of a daybed of this design, illustrated in Wang Shixiang, Connoisseurship of Chinese Furniture. Ming and Qing Dynasties, Hong Kong, 1990, vol. 2, pl. C1.


榻,乃中式家具💎古老款樣之一,自兩漢已風靡,供貴冑睡臥,及至明代,除常置臥室,亦可入書房。涼榻雖多為一人用,然現例尺寸寬綽,可臥二人,起居皆宜。


此榻部件圓實,裹腿棖四面交🅘圈,乃仿竹製家具。長久以來,竹製家具受人喜愛,因竹之挺拔氣節素為文人所仰,且竹柔韌圓活,宜造輕便之物。明🔜代工匠取名貴木材傾力打磨,活現竹之靈秀。


榻大如斯已不多見,仿竹製者更罕。可比一例,構造相似,然僅容一人臥,帶雙環矮老,檀香山藝術博物館藏,曾展於該館《Chinese Hardwood Furniture in Hawaiian Collections》,檀香山,1981年,編號12;另一例,售於ꦯ香港佳士得2012年5月30日,編號4077。亦參考一白描例,見王世襄,《明式家具研究》,香港,1990年,卷II,圖版C1。